Five minutes with: Richard Squires

We chatted to British filmmaker Richard Squires about his movie influences, Hanna-Barbera villains and the UK tour of his debut feature film, Doozy.

Director Richard Squires standing behind a camera on a sidewalk in LA.

What was your first job in the film industry?

I worked at a post-production company called West-One TV, making endless copies of Britney Spears promos, and quietly cutting my own short films in the edit suites during the night shift.

What has been your career high so far?

Probably the world premiere of my debut feature, Doozy (2018), at the BFI London Film Festival in October 2018. The film looked and sounded great on screen and the Q&A afterwards with Helen de Witt and the crew was really good fun. And there was plenty of rosé consumed too.

Tell us more about Doozy?

It’s a creative documentary that uses an original animated character ‘Clovis’ to explore the voice casting of actor Paul Lynde as a series of 1960s Hanna-Barbera villains. Skinny, acerbic cartoon baddies like the Hooded Claw, Mildew Wolf and Claude Pertwee. Doozy looks at why, in 1960s Hollywood, an actor in Lynde’s position, who struggled with alcohol, celebrity and his sexuality might have been cast as the cartoon villain. He had this wonderful, snidey voice and sniggering laugh that really brought the characters to life for me, but also ‘placed them’ in a very specific way, so the film looks at voice and how it’s used as a signifier of ‘otherness’ too.

An animated character wearing a red polo neck jumper and blue trousers creeping along a pavement.

Doozy (2019) uses a fictional character, Clovis, to explore the career of voice actor, Paul Lynde.

What’s your connection to the British Council?

I’ve always used the information on the Film website as a way to research festivals for past film projects. For Doozy, British Council Film has been really great advising on festival strategy – both in terms of which festivals to consider and offering tips on what to do if you get into those festival. I’m currently preparing for Doozy's UK tour.

What key piece of advice would you give to someone starting off in filmmaking?

Stick to your vision and don’t give up. And watch more films.

What is your favourite British film?

I love Peter Robinson’s 1972 documentary Asylum. It’s about the Archway community set up by ‘radical psychiatrist’ R.D. Laing, in which doctors and schizophrenics lived together. I love it because of the characters in the film, it shows them in all their anarchic craziness but it feels very humane.

What’s the first film you remember seeing? What was so memorable about it?

Probably the 1968 musical Chitty Chitty Bang Bang. I was terrified and obsessed with the Child Catcher – he figured in the first dream I remember having as a child, along with a pair of children's knitted orange mittens secured on a long piece of string. Incidentally, the Child Catcher was played by an out gay man, the Australian dancer Robert Helpmann. Another instance of incredible casting.

Who’s your favourite screen hero and/or villain?

I prefer villains. For live action, maybe Dirk Bogarde as Barrett in Joseph Losey’s The Servant (1963). He’s good at snidey ambiguity. I also like – probably for all the wrong reasons – Mr. Wint and Mr. Kidd from Diamonds are Forever (1971), they were burned into my psyche from a young age. For an animated villain, I think it would have to be The Hooded Claw from The Perils of Penelope Pitstop (1969) voiced by Paul Lynde, because of his incredible voice work and Hanna-Barbera’s ‘limited animation’ technique in rendering the characters.

Who would play you in the film about your life?

Lance Kerwin (as a child), Brady Corbet (as a young adult) and Malcolm McDowell (middle age). Because they’re some of my favourite actors and everyone looks better in the movies.

Doozy was released in 2018 by LMFYFF Productions.

This article was first published in January 2019.

Meet the author

  • Richard Squires

    Filmmaker

    Get all the details about Richard's debut feature, Doozy, in our UK films database.

You might also be interested in: